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By every measure -- low distortion, wide dynamic range, deep bass prowess, midrange transparency and treble extension -- the A3's sound was remarkable. You get the feeling you're hearing more of the music's energy when the A3s are holding court. The Rolling Stones' Jamming With Edward isn't a normal Stones album by any stretch, first because guitarist Keith Richards wasn't there, and the band is just jamming in his absence. They're not recording tunes per se, but the engineer had tape running anyway and the free form blues jams give fans a peek into how the band works. The rhythm section of Charlie Watts on drums and Bill Wyman on bass was upfront in the mix, and I got a sense of their sound filling the studio. A look inside the Magico A3 tower speaker. When I played Durand Jones & the Indications' new take on R&B, the A3s pulled out all the stops. First and foremost Jones has the best set of pipes I've heard in ages. Whether he's tearing it up or figuratively making love to the mike, Jones has total commitment to the music. This new studio recording has a live feel, without any help from digital editing fixes, the music's raw power was in fine form over the A3s.